The assembly mandala of Bardo deities depicts a perfected state of beings and the central deities within, symbolizes the perfected states of the meditators' own awareness, psycho-physical aggregates, elemental properties and sensory and mental process.
The peaceful deities symbolize the natural purity of these fundamental components of beings while the wrathful deities are the transformative aspects of the energies. The outer deities of these mandala are the mode of activities of an enlightened being.
Following is the description of the two thangkas, depicting the 100 Bardo Deities which was painted in Enlightenment Studio, back in 2018. They are respectively the 42 peaceful and the 58 wrathful deities of the intermediate state.
The 42 Peaceful Deities of Bardo:
Click here to view this 42 Peaceful Bardo Deities Thangka in details.
In this center of this assembly is the primordial Buddha Samantabhadra, who is depicted as embracing mother Samantabhadri. He is located in the central position, radiantly blue in color while the mother is white, stainless like a crystal. He, the Buddha body of reality seats on a meditative equipoise
This union is the representation of the awareness aspects of the Buddha body of reality. The natural purity of mental consciousness and free from the fundamental ignorance. 
The five Buddha of different family represents the five pure cognitions and the natural purity of the five psycho-physical aggregates. Similarly the five female Buddha are the natural purity of the five elements.
1. Vairochana and Akasadhatvisvari
Within the central channel of the heart is the Buddha Vairochana and his consort Akasadhatvisvari embracing each other. They belong to the enlightened family of Buddha. Both of them are brilliantly white in color. Vairochana holds a Wheel and a Bell.
This union represents the pristine cognition of reality's expanse, and free from the delusion.
2. Akshobya-Vajrasattva and Buddhalochana:
They reside on the eastern channel in a union of supreme bliss, representing the mirror like pristine cognition and free from aversion.
He is azure blue in color and holds a Vajra and a Bell while the mother Buddhalochana is light blue. They belong to the Vajra family.
3. Ratnasambhava and Mamaki:
Towards the southern channel is the Buddha Ratnasambhava in a blissful union with female buddha Mamaki. Radiantly yellow in color Ratnasambhava holds a jewel and a bell in his hands and seated in crossed leg position.
This union represents the combination of radiance and emptiness. They belong to the Ratna family, symbolizing the pristine cognition of sameness and free from pride. 
4. Amitabha and Pandaravasini:
The reside towards the western channel, embracing each other in a blissful union that depicts the pristine cognition of discernment and free from attachments.
They belong to the Padma (Lotus) family. Amitabha is Copper red in color, and holds a lotus and a bell while Pandaravasini is in the color of fire crystal red. 
5. Amoghasiddhi and Samayatara:
They are portrayed towards the northern channel. Colored in radiant turquoise green, he holds a crossed Vajra (Viswavajra) and a bell in his hands. The union represent the pristine cognition of accomplishment and free from envy.
They belong to the Karma family.
According the Guhyasamaja Tantra, these eight male bodhisattva are the representation of the four senses and the four sense organs.
1. Kshitigarbha, Vajra family:
2. Maitreya, Vajra family:
3. Samantabhadra, Ratna family:
4. Akasagarbha, Ratna family:
5. Avalokiteshvara, Padma family:
6. Manjushrikumarabhuta, Padma family:
7. Nivaranaviskambhin, Karma family:
8. Vajrapani, Karma family:
Similarly the eight female bodhisattvas are described as follows. They represent the four sense objects and the four phases of the conceptual thought (past, present, future and indeterminate stage).
1. Lasya, Vajra family:
2. Puspa, Vajra family:
3. Malya, Ratna family:
4 . Dhupa, Ratna family:
5 . Gita, Padma family:
6 . Aloka, Padma family:
7 . Gandha, Karma family:
8 . Narti, Karma family:
They are the assembly of the eight gatekeepers (the four male and the four female) represented in dancing posture, in blissful union with each other. They are portrayed in the four different directions.
1. Trailokya Vaijaya and Ankusa: They reside in the eastern channel in a blissful union. Both are white in color.
2. Yamantaka and Pasa: They reside in the southern side and are yellow in color.
3. Hayagriva and Spotha: They reside in the western gate and are red in color.
4. Amrtakundalin and Ghanta: They reside in the northern gate and are green in color.
The great six sages of the assembly of the 42 peaceful deities represent the natural purity of the six dissonant mental states.
To read more about the Six sages of the Six realm, click here.
| Names | Color | Attributes | Symbol |
| Indrasakra | White |
Lute |
Purity of Pride |
| Vemacitra | Green | Sword & Armour | Purity of Envy |
| Shakyamuni | Yellow | A monk's Staff & bowl | Purity of Attachment |
| Sthirasimha | Blue | Book | Purity of Delusion |
| Jvalamukha | Red | Wish granting Casket | Purity of Miserliness |
| Yama Dharmaraja | Black | A flame & Water | Purity of Aversion |
The Five Awareness Holders:
1. The Great Awareness Holder of Maturation: Radiant red in color and embracing the Dakini of pristine cognition.
*These five awareness holders are not counted within the 42 peaceful deities but are often depicted in the thangka.
In this mandala of deities are the wrathful emanations of Samantabhadra, the five Buddhas and his consorts, gatekeepers, offering goddess and many more.
He is wrathful form of Samantabhadra and is the central deity of this wrathful assembly along with his consort Krodeshvari. He has three faces (brown, White and Red) with six arms. He is brown in color while the mother is the dark blue in color.
His six arms brandishes the following attributes:
Click here to view this Assembly of 58 Wrathful thangka.
1. Buddha Heruka and Buddha Krodheshvari:
Wrathful form of Vairochana, they reside in the central channel, symbolizing the natural transformation of delusion into pristine cognition of reality's expanse and the transformation of mental constructs associated with sights. The male Heruka is dark brown in color while the female is reddish brown. They belong to the buddha family.
Three faces and three hands:
2. Vajra Heruka and Vajra Krodhesvari:
Wrathful form of Vajrasattva, they reside towards the eastern channel. Their blissful union symbolizes the natural transformation of aversion into mirror-like pristine cognition and the transformation of mental constructs associated with sound. They are dark blue and pale blue in color respectively and belongs to the Vajra family.
Three faces and three hands:
3. Ratna Heruka and Ratna Krodhesvari:
Wrathful form of Ratnasambhava, they are in the southern directions. Their union is the representation of the transformation of pride into pristine cognition of sameness and the transformation of mental constructs associated with smell. They are dark yellow and pale yellow in color, belongs to the Ratna family.
Three faces and three hands:
4. Padma Heruka and Padma Krodhesvari:
Buddha Amitabha in the wrathful form of Padma Heruka resides in the western channel. He is embracing mother Padma krodhesvari, and their union represents the transformation of attachment into pristine cognition of discernment and the transformation of mental constructs related to taste.
They are dark red and pale red in color and belongs to the Padma family.
Three faces and three hands:
5. Karma Heruka and Karma Krodhesvari:
Buddha Amoghasiddhi in the wrathful form of Karma Heruka resides in the northern channel. He is embracing mother Karma krodhesvari, and their union represents the transformation of envy into pristine cognition of accomplishment and the transformation of mental constructs related to touch.
They are dark green and pale green in color and belongs to the Karma family.
Three faces and three hands:
The matarah are the representation of the natural transformation of mental constructs associated with the eight classes of consciousness.
| Matarah | Color | Attributes | Location |
| Gauri | White |
Human Corpse & Skull cup |
Eastern |
| Cauri | Yellow | Arrow & Bow | Southern |
| Pramoha | Red | Crocodile Victory Banner | Western |
| Vetali | Green-black | Vajra and Skull Cup | Northern |
| Pukkasi | Red-yellow | Devouring Entrails of a body | South-Eastern |
| Ghasmari | Green-black | Vajra and Skull Cup | South-Western |
| Candali | Pale Yellow | Devouring a heart of a corpse | North-Western |
| Smasani | Blue-black | Tearing apart a Human corpse | North-Eastern |
Below are the description of the eight Pisaci, the representation of the transformation of the mental constructs associated with the eight classes of consciousness.
| Pisaci | Color | Attributes | Location |
| Simhamukhi | brown-black |
lion-headed |
Eastern |
| Vyaghrimukhi | Red | Tiger-headed | Southern |
| Srgalamukhi | Black | Fox-headed | Western |
| Svanamukhi | Blue-black | Wolf-headed | Northern |
| Grdhramukhi | white-yellow | Vulture-headed | South-Eastern |
| Kankamukhi | Red-black | Kite-headed | South-Western |
| Kakamukhi | Black | Crow-headed | North-Western |
|
Ulukamukhi |
Dark blue | Owl-headed | North-Eastern |
The Four Female Gatekeepers of the Wrathful Assembly (4):These four female gatekeepers are the representation of the closing of the doors to the four types of birth and the forces of the four immeasurable aspirations.
1. Vajratejasi (Horse headed): resides in the eastern gate and is white in color
2. Vajramogha/Pasa (Sow headed): resides in the southern gate and is yellow in color
3. Vajraloka (Lion headed): resides in the western gate and is red in color
4. Vajravetali (Snake headed): resides in the northern gate and is green in color
These yoginis represent the purification of the aggregates of bewildered mental constructs and the enactment of the enlightened activities.
Six Yoginis of The East (6):These six yoginis of the east symbolize the activities of pacification. They belong to the Vajra family and reside in the outer eastern channel.
They symbolize the activities of enrichment. They belong to the Ratna family and reside in the outer southern channel.
They symbolize the activities of subjugation. They belong to the Padma family and reside in the outer western channel.
They symbolize the activities of wrath. They belong to the Karma family and reside in the outer northern channel.
They represent the closing of the four doors of the four types of birth and the enactment of the four kinds of enlightened activity.
Hence, this completes the mandala of wrathful deities of Bardo. Even though, they are known as the 58 wrathful deities, they are actually 60 deities in total.
*All the valuable information are sourced from "The Tibetan Book of The Dead", translated by Gyurme Dorje.
wonderful emaho
Thank you very very much. This is what I m finding for a very long time. Amitabha Buddha bless all.
