Vintage Manjushri Thangka:
About Our Thangka:
In Mahayana and Vajrayana Buddhism, Manjushri is a respected bodhisattva who represents the profound essence of knowledge, reason, and enlightenment. Manjushri, who is frequently portrayed in a serene and young form, carries a brilliant sword that penetrates ignorance, signifying the transformational power of discernment.
Manjushri is regarded as the personification of transcendent wisdom that dispels the darkness of confusion and guides practitioners into the light of insight. She has a countenance that exudes serenity and compassion. His lotus seat represents spiritual development and purity, while his scripture represents the importance of knowledge on the road to liberation.
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Size: 5"/13cm (width) x 6"/15 cm (height)
Materials: Cotton Canvas, Acrylic Colors, Genuine 24K Gold
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How to take care of your thangka?
-Hang your thangka in a traditional silk brocade
-Regular Inspection of your thangka; examine the borders and all attachments.
-Keep thangkas covered when they are on display but not in use.
-Rotate thangkas between display and storage on a regular basis, two to four times a year, to reduce the amount of exposure to light. Keep away from sunlight and humidity.
-Do not apply liquids or other materials to the surface of the thangka.
How does Thangka benefit us?
It goes without saying that every detail of a painting has a symbolic meaning. Regardless of your religious affiliation, a thangka can help you on your path to enlightenment, whether you practice Buddhism or have other religious convictions. Thangkas are paintings that depict deities with various iconographic elements and symbolism that encourage meditation on the teachings of the god they depict. Any thangka is intended to aid in the removal of the film of ignorance, which is a significant barrier to the road to enlightenment. The Thangka is revered as a holy item. They promote positivity, spread Buddhism's teachings, bring about peace, harmony, and oneness, and dispel any negative energy that may be there.
